By Chrissy, on July 2nd, 2010%
I might feel bad about judging so many books by their covers, except that it always seems to work out so damn well. My most recent foray into buying books I’ve never heard a thing about solely on the merits of cover design, The Girl Who Played Go by Shan Sa, is another such case. . . . → Read More: The Girl Who Played Go
By Chrissy, on June 24th, 2010%
One of the most remarkable qualities of Atonement, the decision that the elevates it from the ranks of other moving stories and puts it in the realm of something quite spectacular, is the way that McEwan employs an unusual narrative structure — a narrative structure that becomes a vital component of the narrative itself. . . . → Read More: Atonement
By Chrissy, on June 22nd, 2010%
Beth Gutcheon’s Leeway Cottage is a book which is enhanced by the use of a unique narrative structure. It is comprised of a layering and entwining of two fairly disparate stories. One of these stories is among the greatest (and yet, not widely known) triumphs of World War II . The second story is a multigenerational American family epic. . . . → Read More: Leeway Cottage
By Chrissy, on June 21st, 2010%
Frances Itani’s Deafening features two highly distinct narrative parts. It begins as the story of a young girl from a small town in Ontario who, after contracting Scarlet Fever, loses her hearing at five years of age. The majority of the first part of the book follows Grania’s struggle to learn language, to develop literacy (both literal and emotional) and, as a result, to learn how to form and maintain relationships after having lost her hearing at such a crucial stage in childhood development. . . . → Read More: Deafening
By Chrissy, on June 16th, 2010%
The second great strength of Woman in Bronze is Antanas Sileika’s precise understanding of a variety of complex art-making techniques and, more importantly, his ability to impart to the reader what it feels like to be an artist. . . . → Read More: Woman in Bronze
By Chrissy, on June 4th, 2010%
I’m ashamed to admit that my experience with the works of late, great Canadian author Timothy Findley is woefully limited. Previously, I had read only Pilgrim, his penultimate novel. And I was a little disappointed by it. Regardless, I picked up The Wars, which is generally considered to be the book that put Findley on the map, and which I have always heard mentioned in connection with his name over the years. . . . → Read More: The Wars